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Culturebox: The Scottsboro Boys

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The Scottsboro Boys
Is the most ambitious new musical of the Broadway season racist?
By Jason Zinoman
Posted Monday, Nov. 29, 2010, at 4:11 PM ET

Opening night of 'The Scottsboro Boys' on Broadway. Click image to expand.Is the most ambitious new musical of the Broadway season racist? You could get that impression from reading the press coverage of The Scottsboro Boys, a wildly entertaining coda to the rich collaboration between composer John Kander and the late lyricist Fred Ebb, the duo that produced sly crowd-pleasers like Chicago and Cabaret. The provocative new show employs blackface and minstrel-show tropes to tell the tragic story of the 1930s rape trial of nine innocent African-Americans, and many critics have worried over the tension between the show's toe-tapping style and its grave subject.

The Freedom Party, an activist group, was more explicit, calling the musical racist in a press release and protesting the Lyceum Theater, creating a minor media circus. Ticket-buyers have also struggled with the dramatization of pernicious stereotypes of black men, judging by the muffled, anxious laughter on both nights I attended.

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Jason Zinoman writes about theater for the New York Times. His book Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror will be published in July. He lives in Brooklyn, N.Y.

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