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Culturebox: The Luckiest Guy on the Lower East Side

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The Luckiest Guy on the Lower East Side
A filmic valentine to the songwriting of Stephin Merritt.
By Dana Stevens
Posted Wednesday, Oct. 27, 2010, at 12:56 PM ET

Stephin Merritt."I'll take that kiss now," Stephin Merritt sings toward the end of "Papa Was a Rodeo," a ballad from the 69 Love Songs triple album that brought his band, the Magnetic Fields, into the public eye in 1999. In their documentary Strange Powers (Variance Films), co-directors Kerthy Fix and Gail O'Hara deliver that kiss in filmic form. For those who, like this reviewer, are already fans of the Magnetic Fields, Strange Powers serves as a handy pocket-size supplement to the vast and rapidly expanding Stephin Merritt songbook. But I'm not sure that this 82-minute valentine to the phlegmatic, saturnine, perversely charming Mr. Merritt will recruit many new listeners to his band's work. Though we see a few songs performed onstage in their entirety, this is less a concert film than an intimate glimpse at Merritt's working process.

As presented here, that process seems to consist principally of holing up in his East Village studio apartment with his keyboardist, manager, and collaborator since adolescence, Claudia Gonson, as they hammer out melodies at a piano, adding sounds from kitchen whisks, gongs, homemade chimes, and whatever other instruments they improvise from the clutter. Later, as the songs get closer to recordable shape, other band members are brought in: John Woo on guitar, Sam Davol on cello, Daniel Handler (aka the young-adult author Lemony Snicket) on accordion. But the relationship at the heart of the movie--and, the film suggests, of Merritt's life--is his warm, bickering, codependent friendship with Gonson, who cheerfully admits that her role blurs the lines between wife, mother, friend, and "fag hag."

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Dana Stevens is Slate's movie critic.

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