Spiritual Life
The Scriptures as a "Second Language" Kathi Macias Each time I came across something that contradicted what I had believed before receiving Christ, I had to make a choice to reject my former teachings or experiences and replace them with what God said about the situation or circumstance. Read the full article here
Why in the World Would God Want to Use Me? James Montgomery Boice It is impossible to understand Abraham's faith without realizing that there was nothing in Abraham that commended him to God. God does not look down from heaven to find a person who has a bit of divine righteousness or a bit of faith. Read the full article here
News & Culture God, the Gospel, and Glenn Beck Russell Moore The news media pronounced Glenn Beck the new leader of America's Christian conservative movement, and a flock of America's Christian conservatives have no problem with that. Ten years ago, I would have thought it was from the pages of an apocalyptic novel about the end-times. But it's not. And it is a scandal. Read the full article here
Family The Tragedy of Tiger and Elin Sarah Jennings More than anything else, divorce demonstrates the sacredness of marriage. The shattering of a family reveals the incredible bonds that were never meant to break... Read the full article here Marriage is Not a Fairy Tale Jewell R. Powell As I was growing up, I read all the fairy-tale stories like Sleeping Beauty, hoping to one day meet my prince and live happily ever after. Unfortunately, most fairy tales give us an unrealistic picture of what our life with the prince will be like. Read the full article here
Entertainment Seriously Consider an Exit Strategy Before Going the Distance Christa Banister In an effort to defy conventional romantic comedy, the screenwriter of Going the Distance took an intriguing premise--how does a long-distance couple actually make it work?--and immediately shot it in the foot with a bazooka. Read the full article here Circumstance, Psychology Build Tension in The American Jeffrey Huston Director Anton Corbijn creates a moody but minimalist atmosphere in The American. The camera is mostly static, music scarcely heard, and shots linger. While thrillers usually depend on opposite tactics to set the tone, Corbijn strips those away--instead allowing circumstance and psychology alone to create confusion and build tension. Read the full article here
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