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Culturebox: The Case--Please Hear Me Out--Against the Em Dash

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The Case--Please Hear Me Out--Against the Em Dash
Modern prose doesn't need any more interruptions--seriously.
By Noreen Malone
Posted Tuesday, May 24, 2011, at 4:32 PM ET

Emily Dickinson. Click image to expand.According to the Associated Press Stylebook--Slate's bible for all things punctuation- and grammar-related--there are two main prose uses--the abrupt change and the series within a phrase--for the em dash. The guide does not explicitly say that writers can use the dash in lieu of properly crafting sentences, or instead of a comma or a parenthetical or a colon--and yet in practical usage, we do. A lot--or so I have observed lately. America's finest prose--in blogs, magazines, newspapers, or novels--is littered with so many dashes among the dots it's as if the language is signaling distress in Morse code.

What's the matter with an em dash or two, you ask?--or so I like to imagine. What's not to like about a sentence that explores in full all the punctuational options--sometimes a dash, sometimes an ellipsis, sometimes a nice semicolon at just the right moment--in order to seem more complex and syntactically interesting, to reach its full potential? Doesn't a dash--if done right--let the writer maintain an elegant, sinewy flow to her sentences?

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Noreen Malone is a Slate contributor. Follow her on Twitter.

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